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Test Run
Bridge gaps Milwaukee Art
Museum to O'Donnell Park
Bridging a gap. That's something
C.D. Smith Construction did well this year - well enough to win
the Top 20 pick in the bridges category.
The Fond du Lac firm erected a pedestrian
bridge linking the O'Donnell Park complex with owner Milwaukee
Art Museum.
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Permission to come aboard?
Absolutely. The $100 million Milwaukee
Art Museum expansion - sans the brise soleil fins - is open to
the public. All that's left on the job site is landscaping and
the completion of a restaurant inside -- and, of course, the brise
soleil fins that are part of an elaborate sunshade that will open
and close over the museum depending on wind speeds. The delivery
of the fins was delayed - they arrived last week via a Russian
cargo plane -- because of the Sept. 11 terrorist attacks, but
they are expected to in place in time for scheduled inaugural
events Oct. 12 to 14.
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Pedestrian bridge another link in chain
Bridge gaps Milwaukee Art
Museum to O'Donnell Park
Bridging a gap. That's something
C.D. Smith Construction did well this year - well enough to win
the Top 20 pick in the bridges category.
The Fond du Lac firm erected a pedestrian
bridge linking the O'Donnell Park complex with owner Milwaukee
Art Museum.
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Where majesty meets math
Museum's delicate beauty can only be realized
with precise engineering
To begin with, the wings won't blow
away.
That's usually one of the first
concerns that John Kissinger addresses when people find out he's
working on the Milwaukee Art Museum expansion.
People naturally ask about it because
the "wings," the name given to the louvered sunscreen
formally known as the brise soleil, has received much of the media
attention so far, said Kissinger, a vice president at Graef, Anhalt,
Schloemer & Associates Inc., which is providing the structural
and civil engineering on the project.
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Concrete is Beautiful
After you see this place, you'll never
look at your garage floor the same way again.
It looks like glop, but the stuff
has soul.
Most see a concrete mixer and think
"new driveway." Mark Wolf, a project executive for C.G.
Schmidt Inc.'s concrete division, envisions the graceful lines
of fine architecture. And he says the Calatrava wouldn't have
possible without the most common building material around. But
the concrete being used to create the 125,000-square-foot addition,
and the formwork it requires, is anything but mundane.
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Uncharted waters
The lakeside lines of The Calatrava had
no written plan
Like maps of old, where unknown
parts of the world were left blank, the design of the Milwaukee
Art Museum expansion contained at least one curved section that
couldn't be put down on paper.
That was at the east end or, as
it is called, the "east nose" of the building, where
the football-shaped concrete ring beam lies under the glass pavilion,
said Jerry Kaminski, the project executive a C.G. Schmidt Inc.
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Home-grown talent
With so many willing contractors in Wisconsin,
why wander?
They could have searched the country
for contractors to work on the Oz-like Milwaukee Art Museum expansion,
but in the end, there was no place like home.
With only two exceptions, all the
work on the world-class project, likely to become a defining element
of the city's skyline, is being done by Milwaukee -- and Wisconsin-based
firms, said Chris Smocke, the owner's representative.
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