The St. Bruno Catholic Church addition found life when two seemingly
divergent paths intersected.
The church asked two things of Plunkett Raysich
Architects LLP when the firm started work on the design, said John Holz, senior
project designer with Plunkett Raysich. First, the church wanted its addition
to keep in mind the setting of the Kettle Moraine Forest. Second, it wanted the
design to reflect the qualities of the churchs patron saint.
St.
Bruno was a monk and lived a life of solitude, Holz said. There is
a very humble quality we were looking for.
The architect set to work
melding the two requests as it added 21,500 square feet to an existing church
and school building in Dousman. The former church space is to be converted for
other uses, and the addition became a new and larger worship space.
We
met the goal with the low-brick forms, very earthbound and simple, Holz
said. We created these brick forms, and soaring from them are branching
trees.
Together they create a dignified worship space. It is both humble
and uplifting.
The trees in this spiritual forest are evoked with
wide-flange steel columns painted a neutral shade and branching out to carry the
canopy overhead. Each branching effect begins at a different height.
Overhead
is a latticework of glue-laminate beams, erected by construction manager The Bentley
Company. The exposed roof system forms the forest canopy, and six large dormer
windows bathe the 650-seat worship space in natural light.
Project
Name: St. Bruno Catholic Church
Location: Dousman
Submitting
Companies: Plunkett Raysich Architects LLP, Milwaukee, and The Bentley Company,
Milwaukee
Working with the timbers was a challenge for Bentley.
Some
of these beams were 60 to 70 feet long, said Gordon Corrus, Bentleys
vice president and senior project manager. The technique is different than
with brick and blocks. Its like setting up Tinker Toys. If you knock one
down, its a chain effect.
It took six weeks to put the exposed
roof system in place so it could be covered with wood decking and a champagne-colored,
standing-seam roof.
The result of the extra work, however, is a design true
to the congregations dual goals.
All churches care about how
a church meets its worship needs, how it fits on the site, Holz said. This
church cared about that as well, but it went beyond, in a very meaningful way,
to make sure the building reflects the qualities of its patron saint.
But
the saints history isnt the only bit of the past carrying the church
into the future.
Bentley salvaged and restored the bell from St. Brunos
original 1890s building, still standing a short distance away from the new church.
It was refurbished, cleaned and set in a new bell tower. Although St. Bruno now
lays claim to an electronic carillon as well, the original bell can still be rung.
The
bell is a physical connection to the parishs past members and traditions.
When
you build a new church, you are building upon something else, Holz said.
The church is really the people, and the volume we build must respond to
them.
This newest worship space involved the churchs people
in every step of construction, from setting architectural goals to dedicating
the site.
When we did the groundbreaking ceremony in 2003, we pinpointed
the [future] location of the altar in the church, Corrus said. We
dug a hole there and people put in rocks with their names on them.
St.
Brunos leaders realized that the churchs foundation is based on the
past and present, but they also understood they needed to prepare for future members
as the Dousman area grows.
That created another architectural problem,
Holz said. The church had to look complete in its current state even though plans
exist for expanding the building to seat 1,100 parishioners.
It couldnt
look like it was waiting for something, he said.
The project was the
result of many voices and a solid commitment from the owners, Holz said.
The
church will often want to have a shrine or alcove for its patron saint, but to
actually build into the architecture the quality or historical background of a
patron saint is a very dramatic goal, he said. This client had great
vision, and we were able to translate that into a wonderful project.